Vilmos Zsigmond
June 16, 1930 (94 years old) in Szeged, Hungary
Vilmos Zsigmond, ASC was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. Wikipedia
Known For
Credits
- 2019 ·Blood & Flesh: The Reel Life & Ghastly Death of Al Adamsonas
- 2017 ·Spielbergas Self
- 2016 ·Close Encounters with Vilmos Zsigmondas Self
- 2012 ·Black and White in Color: Vilmos Zsigmond on 'Blow Out'as Self
- 2012 ·Side by Sideas Self
- 2010 ·A Cinematic Life: The Art and Influence of Conrad Hallas Self
- 2010 ·Louisas Hungarian Photographer
- 2009 ·No Subtitles Necessary: Laszlo & Vilmosas Self
- 2006 ·Who Needs Sleep?as Self
- 2004 ·Final Cut: The Making and Unmaking of Heaven's Gateas Self
- 2004 ·Z Channel: A Magnificent Obsessionas Self
- 2003 ·Imagining Imagesas Self
- 2003 ·Who Killed 'Winter Kills'?as Self
- 2003 ·Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywoodas Self
- 2003 ·Return of the "Hired Hand"as Himself
- 2002 ·Vilmos Zsigmond Flashes 'The Long Goodbye'as Self
- 2001 ·'Obsession' Revisitedas Self
- 2001 ·The Making of 'Close Encounters of the Third Kind'as Self
- 2000 ·Light Keeps Me Companyas Self
- 1997 ·Big Guns Talk: The Story of the Westernas Self
- 1994 ·Maverickas Albert Bierstadt
- 1992 ·Visions of Lightas Self
- 1953 ·The Oscarsas Self